AECDAILY AH EN 195602 0425:2025 Edition
$28.60
Specifying the Correct Floor for Dance and Performing Arts
| Published By | Publication Date | Number of Pages |
| AECDAILY | 2025 |
PDF Catalog
| PDF Pages | PDF Title |
|---|---|
| 1 | Slide 1 |
| 2 | Slide 2: Specifying the Correct Floor for Dance and Performing Arts |
| 3 | Slide 3 |
| 4 | Slide 4 |
| 5 | Slide 5: How to Use This Online Learning Course |
| 6 | Slide 6: Purpose and Learning Objectives |
| 7 | Slide 7: Contents |
| 8 | Slide 8: Introduction to Dance and Performance Floors |
| 9 | Slide 9: Dance Facts |
| 10 | Slide 10: What to Consider When Specifying a Dance Floor |
| 11 | Slide 11: What to Consider When Specifying a Dance Floor |
| 12 | Slide 12: What to Consider When Specifying a Dance Floor |
| 13 | Slide 13: What to Consider When Specifying a Dance Floor |
| 14 | Slide 14: An Ideal Dance Studio |
| 15 | Slide 15: An Ideal Dance Studio |
| 16 | Slide 16: What Do Dancers Need from a Floor? |
| 17 | Slide 17: What Do Dancers Need from a Floor? |
| 18 | Slide 18: Why Sports Floors Are Not Suitable for Dance |
| 19 | Slide 19: Tests and Standards |
| 20 | Slide 20: Tests and Standards |
| 21 | Slide 21: Economic Consequences |
| 22 | Slide 22: The Increasing Importance of Medical Research and Development |
| 23 | Slide 23: Dance Floor Development |
| 24 | Slide 24: Dangers of an Inconsistent Dance Floor |
| 25 | Slide 25: Dangers of an Inconsistent Dance Floor |
| 26 | Slide 26: Dangers of an Inconsistent Dance Floor |
| 27 | Slide 27: Sprung Dance Floors and Performance Surfaces |
| 28 | Slide 28: What Is a Sprung Floor? |
| 29 | Slide 29: Difference between Area and Point Elasticity |
| 30 | Slide 30: Types of Sprung Floors |
| 31 | Slide 31: Types of Sprung Floors |
| 32 | Slide 32: Types of Sprung Floors |
| 33 | Slide 33: Performance Surfaces |
| 34 | Slide 34: Performance Surfaces |
| 35 | Slide 35: Performance Surfaces |
| 36 | Slide 36: Wooden Performance Surfaces |
| 37 | Slide 37: Review Question |
| 38 | Slide 38: Answer |
| 39 | Slide 39: Case Studies |
| 40 | Slide 40: Bolshoi Theatre |
| 41 | Slide 41: Bolshoi Theatre |
| 42 | Slide 42: Collage Dance Collective |
| 43 | Slide 43: Collage Dance Collective |
| 44 | Slide 44: Théâtre National De Chaillot |
| 45 | Slide 45: USC Glorya Kaufman School of Dance |
| 46 | Slide 46: Review Question |
| 47 | Slide 47: Answer |
| 48 | Slide 48: Liverpool Institute for Performing Arts |
| 49 | Slide 49: Royal Caribbean Production Studio |
| 50 | Slide 50: Birmingham Hippodrome |
| 51 | Slide 51: Birmingham Hippodrome |
| 52 | Slide 52: Trinity Laban Conservatoire of Music and Dance |
| 53 | Slide 53: Kennesaw State University |
| 54 | Slide 54: Kennesaw State University |
| 55 | Slide 55: English National Ballet |
| 56 | Slide 56: Princess Cruises Caribbean Princess |
| 57 | Slide 57: Vienna State Opera |
| 58 | Slide 58: Vienna State Opera |
| 59 | Slide 59: Studio Wayne McGregor |
| 60 | Slide 60: Review Question |
| 61 | Slide 61: Answer |
| 62 | Slide 62: Sustainability |
| 63 | Slide 63: Sustainability |
| 64 | Slide 64: Sustainability |
| 65 | Slide 65: Thank You |
